Day 2 - Louvre, Notre Dame, Arc de Triomphe ( Paris, France )
After a good night’s rest we were all set to visit Louvre Museum
today. Long before our trip we had planned to allocate today for visiting Louvre
mainly because the museum is open till 9 pm on Wednesdays. This way we could
rest for a bit longer to shake off the tiredness accumulated from our travel
and yesterday’s sightseeing. The Paris public transport system website was of immense help to figure out the best possible route to reach Louvre.
The Louvre palace was the seat of French power until King Louis XIV moved to Versailles in 1682. It has housed the famous Musee du Louvre and various government departments since 1789.
The Louvre palace was the seat of French power until King Louis XIV moved to Versailles in 1682. It has housed the famous Musee du Louvre and various government departments since 1789.
We left our hotel around 9.30 am after a heavy breakfast and took
bus route #72 to reach the rear end of the Louvre Palace. We were thinking the
Pyramid marked the entrance of the museum. But this entrance didn’t have any
semblance of it. In fact once we entered there was a vast open square enclosed
by a palatial structure. We just chose to proceed in the direction of a pointed
out by a kind gentleman on the bus. After a short walk we finally saw the
structure that looked very familiar from a distance and within a few seconds we
recognized the iconic pyramid that stands outside the Louvre museum. The next
thing we could see was long serpentine queue for purchasing entry tickets and
another long queue for gaining entry! We chuckled at each other since we
already had purchased a Paris museum pass (bundled along with the Paris
Passport Pass). Since there is a separate entrance for pass holders we could
skip the long queue and thereby saving atleast an hour and half in the process.
We entered the pyramid and proceeded down into the central area of the museum.
Before coming to Paris my wife had done some study on the internet
to check the most important artifacts to see. We read that even to have a
cursory look at all the artifacts would take weeks together. Therefore we
narrowed down on a list of ten artifacts which are a “must-see”. We picked up a
map from the help desk and along with a printout of a guest trail, we started
our journey of the museum.
The first entry we were looking for is the Aphrodite or Statue of
Venus. Unfortunately we were so caught up with the artifacts on the way, especially
the grandly painted and gold adorned ceilings, we lost our way completely. We
somehow managed to enter a room with a collection of bronze items varying from armours to cutlery. We took a few snaps and proceeded without really
understanding that fact that we had already drifted off our course. We wandered
for a short while before reaching a really crowded area. We immediately sensed
that it is an important place because of the number of tour groups nestled
around in that area. So moving in the direction of the commotion and we hit one
of the items in our list – Statue of Nike, The Winged Victory of Samothrace. Not
to mention headless as well.
| The winged victory of Samothrace |
At this point we realigned ourselves using the signboards to reach
Monalisa and proceeded towards her. On the way we passed through a one room
filled with paintings of Christ. One painting caught our eye and hearts as
well. We took a picture of the painting and a placard placed next to it with
information about the artist (which was in French). With the help of Google we
found out that the painting is called “Christ Carrying the Cross” by Lorenzo
Lotto, an Italian Painter of the 16th century. Words cannot do justice,
so here is a picture of it!
| Lorenzo Lotto's "Christ Carrying the Cross" |
| Closer look at "Christ Carrying the Cross" |
The increasing decibel level once again suggested that we have
neared Monalisa. We reached the densely crowded room housing Monalisa. People trying
to take a picture of Monalisa were standing in a in a big cluster occupying
half the room. She was roughly at a 25 feet viewing distance from where we were
standing. And as we stood wondering how to even approach her to take a snap and
have a brief look; we could see a smaller crowd behind us. For a moment we
turned back and we saw a huge painting covering the entire wall. We were
staring at the Wedding Feast at Cana, a painting depicting the first miracle by
Jesus of turning water into wine. This painting by the late Renaissance Italian painter, Paolo Veronese is the largest painting in the collection at the Louvre.
| The Wedding Feast at Cana |
The crowd was trying to clicks of the wedding feast was lesser
when compared to Monalisa. So we tried to take a few pictures but the painting
was so big that our humble camera’s lens couldn’t capture it well.
After we got a closer look at the Wedding Feast, we turned around
to attempt to jump into the crowd and swim across to reach Monalisa. Lifting my
camera as high as possible to avoid interference from other people trying to
take pictures I started taking pictures. The Monalisa painting was well
protected inside a glass enclosure and the viewing of the painting was restricted
at a distance of about 10 ft ( only persons on a wheelchair could get closer).
This was the only painting with such security measures. The crowd that gathered
around the painting was so overwhelming that we couldn’t stand to have a closer
look. There was always one patiently waiting tourist trying to move closer to
take snaps. We were very curious to see Monalisa up close to see if we can see
if we reason out why she is probably so hugely celebrated. From the distance
that we viewed her and with the glass enclosure we couldn’t quite get the feel
of the painting. Trying to take a photo with Monalisa in the background was
literally impossible with the crowd around it.
| The lady protected by glass ! |
| The crowd photographing MonaLisa |
| La Bella Ferroniere |
The next painting adjacent La Bella
was the “Virgin
and Child with St. Anne” a painting depicting Virgin Mary and Infant Jesus.
| Virgin Mary and Infant Jesus |
The next painting of Da Vince we saw on the
corridor was what is considered as his last painting - St. John the Baptist. It
was a painting set in a dark background with St. John portrayed with an
enigmatic smile.
| St John the Baptist |
The last painting we saw was Bacchus, which may have been painted by Da Vinci or one of his followers. The origin is not clearly known.
| Bacchus |
After that interesting piece of history we went back to our
original trail. Our next stop was at another massive painting – “Coronation of Napoleon” by Jacques-Louis David.
We thought that the wedding feast had already made our camera look ridiculously
ordinary, but this made it look even worse. It was another colossal painting
with incredible details. My estimate would be that the painting had alteast
hundred people in them. It is said to be almost 10mtrs wide and 6 mts tall.
We glanced at our watches and we had spent close to two and half
hours already. Our legs were feeling a slight soreness now and my wife already
had a slight ankle injury which I suspect she might have picked up during the
flight. So we chose to take a break and sat in one of sofas kept right opposite
the “Coronation of Napolean”. We couldn’t stop but staring at the incredible
painting without winking an eyelid. It was so grand and magnificent,
| Coronation of Napolean |
After a 5 min break we started off once again, in search of
Aphrodite, which was actually first in our list. This time with a clear idea
using the Louvre map we chalked out our route. But once again on the way we
stumbled upon 2 more entries in our list of artifacts that we had in our list.
First to spot was the Oath of Horatii, another painting by Jacques-Louis David, depecting a Roman legend.
| Oath of Horatii |
On a nearby wall adjacent one of a big door we saw the other
painting – “Grande Odalisque”, a female slave by Jean Auguste Dominique Ingres.
| Grande Odalisque |
We made our way down the ground floor finally making our way to
see the statue of Venus de Milo. The marble sculpture believed to be the Greek
goddess of love stands 6ft tall. It is prominently marked by absence of its
hand which was never found.
| Venus de Milo |
Walking inside the same room we came across several marble
sculptures.
We finally we made our way to next of the two artifacts in our
list, “Cupid’s Kiss”, a marble sculpture by Antonio Canova.This depicts the story of Cupid and his lover Psyche.
Venus, the mother of Cupid demands Psyche to bring a flask from Proserpina and
forbids her to open it. She gets curious and falls unconscious as soon as she
inhales the flask. Cupid touches her with the tip of his arrow and revives her.
| Psyche revived by Cupid's Kiss |
The next and last on the list was Michaelangelo’s Slaves, which is a set of 2 sculptures depicting slaves. The 2 slaves depict contrasting emotions.
| The Dying slave |
| The Rebellious slave |
At this point we checked our list and were pretty satisfied that
we have seen the all the artifacts we wanted to see. And we were tired as well.
So we were back out at the Pyramid and took a few snaps in front of the
Pyramid.
| Outside the Museum |
| Enjoying a quick Crepe |
We got back to the hotel room by 4 pm or so feeling quite tired.
We chose to rest for a while before starting out on the next leg of
sightseeing. This time it was to visit Notre Dame Cathedral. We checked the
timing and found that the entry to the towers of the cathedral close 5.45pm. So
we were running a bit late to make it on time to climb the towers. So we
quickly freshened up and started off. This time we need to take a metro and connect
to a RER line to reach Notre Dame. When we reached it was close to 5.15 pm and
as usual a big crowd greeted us. We made a tactical mistake of taking a tour of
the Cathedral first before proceeding to the towers. This way we lost 20 mins
which meant that by the time we reached the towers the entry was closed for the
day.
| Stained Glass inside Notre Dame |
| Notre Dame Cathedral - Front view |
| Notre Dame Cathedral - Side view |
| Enjoying a quiet dinner |
| Arc de Triomphe |
The Arc honors those who died for
France in the French Revolution and the Napoleonic
Wars, with the names of all French victories and
generals inscribed on its inner and outer walls. Beneath its vault lies the Tomb of the Unknown
Soldiers from World War I, with the eternal flame dedicated to the unidentified
soldiers of the First World War The structure and reason behind erecting it reminded
us of the India Gate back home. And India gate is indeed inspired by Arc de Triomphe which in turn is inspired by the Roman Arch of Titus! We decided
to have a go at climbing the 284 winding and dimly lit steps and up the tower. The
entry to the top was covered by the museum pass.
| Winding steps |
| We are here !! |
| View from Top of Arc de Triomphe |
On the metro ride back to the hotel, it was 10pm and we saw the Eiffel glitter again ! It was a mesmerizing sight. We reached the hotel and crashed after a mental preparation to wake up a bit late as we had another long and tiring day planned next.
-- Yes & Why
No comments:
Post a Comment